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Harold and the Purple Crayon

Harold and the Purple Crayon

Team reviewed
1h 30m2024United States of America
FamilialComédieAventureFantastique

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Detailed parental analysis

Harold and the Purple Crayon is a family fantasy comedy with a colourful and light-hearted atmosphere, carried by an inventive visual universe. A character from a children's book finds himself thrust into the real world, crayon in hand, with the power to draw anything he imagines. The film primarily targets young children, though the plot incorporates emotional stakes that resonate more strongly with accompanying parents.

Violence

Violence is present in several instances and takes various forms. A confrontation between two characters involves fire-breathing creatures and lava crevasses, and a child receives a blow to the face with a nosebleed. An adult strikes Harold with his cane and throws him to the ground, and one scene shows children hit by an automobile. These sequences remain stylised and do not dwell on pain or blood, but their accumulation in a film presented as suitable for all ages warrants anticipation, particularly for younger or more sensitive children. The violence is not gratuitous: it serves narrative conflicts that are resolved, but it is not systematically questioned either.

Parental and Family Portrayals

Harold's father is dead, and his mother raises her son alone. Parental bereavement is handled with a certain restraint and does not form the heart of the narrative, but it is genuine and sufficiently present to touch children who have experienced a similar situation. The maternal figure is loving and presented as a solid emotional anchor. Worth noting: the relationship between adult Harold and this widowed mother is described as slightly ambiguous in certain scenes, with lines perceived as suggestive by attentive parents, although this remains very much on the periphery of the film's overall purpose.

Underlying Values

The film consistently argues that imagination is a real power, that one can shape one's life and environment through creativity. Friendship, courage and altruism are foregrounded without excessive didacticism. The treatment of the villain is more nuanced than usual: the narrative shows that frustration and a sense of rejection can lead someone to act wrongly, which opens up a useful conversation about empathy without absolving harmful behaviour.

Social Themes

School bullying is represented explicitly: Harold is mistreated by larger classmates, and the oppressive group dynamic is clearly shown. The film does not normalise these behaviours, but neither does it explore them with great depth. Nevertheless, it is a useful entry point for discussing it with a child who has experienced or witnessed such a situation.

Language

The language includes a few mild insults aimed at children, such as 'idiot' and 'moron', as well as mild expletives and two uses of God's name as an exclamation. Nothing intense, but sufficient to be heard and repeated by a young child.

Strengths

The film capitalises on its magic crayon concept to deploy genuine visual inventiveness, with sequences where the real-time creation of objects and characters produces genuine viewer enjoyment. The central idea, that of a child with the power to transform reality through drawing, retains real poetic charge and can nurture in young viewers an active relationship with imagination and creation. The message about compassion towards an antagonist whose origins we understand adds emotional depth rare in the genre. That said, the screenplay lacks rigour and relies on predictable devices, which weakens the experience for parents and older children.

Age recommendation and discussion points

The film is suitable from age 7 onwards for supervised viewing, and from age 8 for a child more capable of handling stylised violence sequences and the evocation of bereavement. Two angles are worth exploring after viewing: why someone might become unkind when they feel rejected, and how that changes the way we treat others, including those who do not seem likeable at first.

Synopsis

Inside of his book, adventurous Harold can make anything come to life simply by drawing it. After he grows up and draws himself off the book's pages and into the physical world, Harold finds he has a lot to learn about real life.

About this title

Format
Feature film
Year
2024
Runtime
1h 30m
Countries
United States of America
Original language
EN
Directed by
Carlos Saldanha
Main cast
Zachary Levi, Lil Rel Howery, Zooey Deschanel, Benjamin Bottani, Tanya Reynolds, Jemaine Clement, Alfred Molina, Pete Gardner, Camille Guaty, Ravi Patel
Studios
Davis Entertainment, Columbia Pictures, TSG Entertainment

Content barometer

  • Violence
    3/5
    Notable
  • Fear
    2/5
    A few scenes
  • Sexuality
    1/5
    Allusions
  • Language
    1/5
    Mild
  • Narrative complexity
    1/5
    Accessible
  • Adult themes
    0/5
    None

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