Back to movies
Descendants: The Rise of Red

Descendants: The Rise of Red

1h 31m2024United States of America
FantastiqueAventureFamilialComédie

Does this age rating seem accurate to you?

Detailed parental analysis

Descendants: The Rise of Red is a fantastical musical comedy with a colourful, rhythmic atmosphere, carried by musical numbers and stylised confrontations. The plot follows Red, daughter of the Queen of Hearts, and Chloe, daughter of Cinderella, who ally themselves to travel back in time and prevent a coup d'état that plunges their kingdom into tyranny. The film is aimed primarily at children aged 8 and over as well as young teenagers, particularly fans of the Descendants franchise.

Violence

Violence occupies a recurring place in the narrative, even though it remains choreographed and without bloodshed. Sword fights follow one another with notable frequency, and floating swords attack characters several times in attempts to stab them. One scene involves a giant eel that attacks Chloe before being driven back by blows from a staff. What is more striking than the images themselves are the very explicit verbal threats that pepper the film: beheadings, blinding, various mutilations, or the promise of ripping out a tongue are formulated in the dialogue and in the songs. These formulations may surprise young children who take them literally, even though they form part of the exaggerated aesthetic of the twisted fairy tale. The violence is not gratuitous but it is omnipresent, and its light tone can precisely disorient a sensitive child who does not always know what level of seriousness to take them at.

Parental and Family Portrayals

Parent-child relationships lie at the heart of the film and constitute its primary emotional substance. The Queen of Hearts is portrayed as an authoritarian, oppressive and potentially dangerous maternal figure, whose love for her daughter is confused with control and manipulation. Red believes at one point that her mother has been killed, which can provoke a strong emotional reaction in children sensitive to parental loss. Chloe, for her part, lives under the weight of expectations tied to the legacy of her mother, Cinderella, whose tragic fate is evoked without being shown. This context of implicit parental death, even though it remains off-screen, can weigh on young viewers. In contrast, the film uses these tensions to lead the two heroines to free themselves from parental image and to build their own identity, which gives real depth to this theme.

Underlying Values

The narrative clearly structures an opposition between blind obedience to authority and autonomous thinking. The two protagonists learn to question the figures of power surrounding them, including their own parents, in order to act according to their own moral judgement. This message of emancipation is sincere and well constructed, but it is accompanied by a Manichean narrative pattern in which figures of authority are almost systematically corrupted or inadequate. Courage and solidarity between the two girls constitute the driving values of the narrative, with a central friendship that develops beyond opposing family legacies. Redemption is also a structural theme: the daughter of a villain can choose a different path from the one laid out for her.

Social Themes

The film stages a coup d'état and a tyrannical takeover that plunges the kingdom into repression. Without being an elaborate political allegory, this plot raises questions about the legitimacy of power, resistance to oppression and the price to pay for defending justice. These themes remain treated in an adventurous and accessible manner, but they offer an interesting opening for talking with a child about what it means to fight against institutional injustice.

Strengths

The film fully embraces its codes as a fantastical musical comedy and the songs, even if their quality divides opinion, are catchy and carry real scenic energy. The pairing of the two heroines works well dramatically: their friendship develops with enough friction to be credible. The theme of overcoming family legacy, though wrapped up in a narrative that is sometimes uneven, has authentic emotional resonance for young viewers who are questioning their own identity in relation to what is expected of them. The time travel provides a dynamic narrative device that maintains momentum. The rushed ending and the sense of incompleteness flagged by some parents constitute, however, a genuine structural flaw that can leave young viewers frustrated.

Age recommendation and discussion points

The film is suitable from age 8 for children not sensitive to explicit verbal threats and situations of parental loss; parental accompaniment is useful between ages 8 and 10 to contextualise the exaggerated tone of violent formulations and to help the child distinguish what falls within the code of the twisted fairy tale from what would be unacceptable in reality. Two discussion angles are worth opening after viewing: why do the heroines choose to disobey their parents, and is disobedience always courageous or can it be dangerous? And what does the child think about the fact that the daughter of a villain is not necessarily villainous herself?

Synopsis

After the Queen of Hearts incites a coup on Auradon, her rebellious daughter Red and Cinderella's perfectionist daughter Chloe join forces and travel back in time to try to undo the traumatic event that set Red's mother down her villainous path.

About this title

Format
Feature film
Year
2024
Runtime
1h 31m
Countries
United States of America
Original language
EN
Directed by
Jennifer Phang
Main cast
Kylie Cantrall, Malia Baker, Ruby Rose Turner, Morgan Dudley, Dara Reneé, Rita Ora, Brandy Norwood, China Anne McClain, Joshua Colley, Peder Lindell
Studios
Suzanne Todd Productions, Potato Monkey Productions, GWave Productions, Disney Channel

Content barometer

  • Violence
    3/5
    Notable
  • Fear
    3/5
    Notable tension
  • Sexuality
    0/5
    None
  • Language
    2/5
    Moderate
  • Narrative complexity
    1/5
    Accessible
  • Adult themes
    0/5
    None

Watch-outs